A year of SHIPPH illustrated

The Strategic Health Inequalities, Prevention and Population Health (SHIPPH) committee is established by NHS Bristol, North Somerset and South Gloucestershire ICB. I have had the honour to live illustrate the SHIPPH committee meetings over the last year, visually capturing their efforts to provide oversight, assurance and support in tackling health inequalities and embedding preventative approaches in the region.

Every two months, the committee gathers and deep dives into local strategies, community projects and research initiatives to address some of the ICB’s long-term commitments, for example healthy weight, and alcohol, drugs and tobacco dependence. The committee takes a population health approach, recognising that there are a wide range of determinants of health and wellbeing, including housing, employment and environment. Working together, with accountability and a trauma-informed approach is crucial to their effort in strengthening the NHS’s contribution in prevention and health inequalities.

I am very pleased to be live illustrating the SHIPPH committee meetings again in 2026, creating accessible and digestible visual summaries of progresses and challenges working towards a ‘“Healthier Together” society.

Doing Inclusive Research in turbulent times

Last week I had the pleasure to live illustrate NIHR Applied Research Collaboration (ARC) South London ‘s final Knowledge Exchange event, exploring how to do inclusive applied research in turbulent times. With the raise of hostile policies making the life of people within marginalised communities increasingly difficult (to put it mildly), including patients in research from design to implementation is as essential as ever. However, this shouldn’t be just a ticking box exercise. As sociologist & mixed media researcher Cassandra Lovelock so brilliantly articulated, “I can’t just package my lived experience to fit your research narrative”. We, as a society, need to learn to listen. True solidarity can only exist in spaces where all vulnerabilities are welcome to be expressed safely and flexibly, without the need to be edited for the status quo to remain unscathed.

Researcher Stan Papoulias brilliantly held the space to such important conversations and leading the way to meaningful system change and excellent integrated care. This is a new collaboration with Stan, with whom I worked on the PPI Webcomic project last year.

RESisT

Rest is probably what I wish you most for 2026.

Not so long before the Christmas break - that time when everyone seems to have accepted that being on the verge of physical and psychological burnout is simply the way to be - I bumped into my dear fellow Pervasive Media Studio resident and brilliant creative producer, Cèlia Dominguez Hernàndez. We were both so tired, and unsurprisingly, that’s what our conversation revolved around.  Our eyes then drifted to an object I had already seen in the studio before but hadn’t had the bandwidth to think much about (burnout, you see): a pillow with the word “resist” stitched on it. I looked at Cèlia and hid the fourth and fifth letters with my hand, so that it spelled “rest”. That’s what we both needed: rest to recover from the endless (capitalist) machinery.

Unexpectedly, I had the luxury of time to recover during the holidays - but also to rest beyond that recovery. What a treat. That rest allowed me to simply sit, observe, and think. That almost never happens.

While I was doing just that, I noticed that leaves from a plant in my bedroom had fallen onto the carpet. I drew on one of them, and then on the others on the floor. This practice isn’t new, revolutionary, or groundbreaking. But it’s what I did instinctively - and enjoyed. I made something instead of thinking about what I could produce. There was no incentive other than the joy of making, and all of that was made possible by rest.

One thing led to another, and I began to think about how much this was an act of resistance - how it enabled creation. I finally understood what that cushion back at the studio meant. This idea was beautifully articulated by the thinker and author bell hooks, who wrote about the right to linger in “Women Artists: The Creative Process”, and I found myself lost in her words:

“This time is space for contemplation and reverie. It enhances out capacity to create. Work for women artists is never just the moment when we write, or do other art, like painting, photography, paste-up, or mixed media. In the fullest sense, it is also the time spent in contemplation and preparation. This solitary space is sometimes a place where dreams and visions enter and sometimes a place where nothing happens. Yet it is as necessary to active work as water is to growing things.”

Rest well, and happy 2026.

Improving vaccine confidence

Last month I was invited by BIG HIT to live illustrate their strategic network day gathering people working in immunisation in Bristol, North Somerset and South Gloucestershire. Through presentations about the HPV vaccine, MMR vaccine and evaluations, the network discussed how to better reach out to communities that are traditionally underestimated. Through powerful stories and by using the right channels, it is possible to taylor the approach and improve vaccine confidence that is key to public health. Find out more here.

On learning from the past

I was very excited when historian Dr Clare Siviter got in touch to ask me to live illustrate her Inspiring Women talk hosted by Bristol Women’s Voice. As part of her research in French theatre, Clare focused on three historical examples of actresses and working mothers - Louise Contat (1760-1830), Joséphine Duchesnois (1777-1830) and the mother of Mademoiselle George (1787-1867). She used their stories to reflect on the struggles working mothers face today and what we can do about it.

One key fact that made me snort out loud (especially as a French mother myself that keeps hearing about how Frnace is “better” than England for working parents) was that my France-based friends currently have less paid mat leave than an actress in 1803. Yep. You’ve read that right. Luckily I was able to comfort myself by drawing 19th century dresses. Let’s remember how much history, sometimes, can be ahead of us.

NOTHING FOR US WITHOUT US

The Bristol Hub For Gambling Harms Research facilitated the Pan-Africa Gambling Harms Research Network meeting this October, gathering research collaborators from South Africa, Kenya, Namibia and Uganda. The purpose of the meeting was to identify goals and success measures, funding sources, as well as draft an elevator pitch for their research initiative.

I was very honoured to be invited to live illustrate this fascinating event, learn more about the challenges caused by the gambling culture across the African continent and capture how the network’s multi-disciplinary approach can provide key evidences and outcomes by being strongly embedded in the community.

CiviCon25

Last week civic practitioners, academics and professionals from across the country came together to celebrate civic collaboration during a two-day conference in Sheffield. CiviCon25 featured practical workshops, case studies and panel discussions aiming to strengthen the civic impact of higher education institutions in the UK.

It was a honour to be invited by impact partner and community research leader Young Foundation to live illustrate the event and visually highlight the local impact of universities and how they can take their civi duties to the next level.

Find out more about CiviCon25 here.

On Breastfeeding Support

Breastfeeding/chestfeeding are often associated with better health outcomes and as such has become an injunction for new parents. However it isn’t always easy for those choosing this feeding method: latching issues and nipple pain to name but a few can get in the way of a pleasant and rewarding experience. A nipple shield can make things easier, however there are a lot of conflicting information about this device, including from the health sector.

University of Oxford’s Medical Sociology & Health Experience Research Group is trying to cut through the noise with Public & Patient Involvement and healthcare practitioners to support people in making informed decisions. They have commissioned me to create an illustrated logo, as well as a series of illustrations depicting various experiences of breastfeeding/chestfeeding. Find out more about this beautiful and necessary project here.

Children as co-researchers

I was commissioned by digital health hub LEAP to turn one of their recent workshops on public engagement in research with a special focus on children. The event included presentation of projects including a multidisciplinary team of researchers who were awarded a pump-priming grant will also present a successful case study, where children helped co-imagine future robots to enhance child-to-child social interactions. In an era where technology shapes daily interactions, it is essential to design devices that foster- rather than hinder - social engagement. I found this project fascinating to work on, as it insisted on the necessity of play and fun with a focus on inclusivity for all abilities.

South West Net Zero Hub Annual Conference

This September I was pleased to be invited to capture the South West Net Zero Hub annual conference with live illustration. The hub provides free strategic and technical support to the public sector and communities to develop, finance and deliver net zero energy projects.

The aim of the event was to bring together South West Local Authority and Public Sector stakeholders to inspire and discuss progress towards net zero. From the concept of Community Energy to retrofit and local investment, the key to net zero is in the empowerment of the local communities in designing where they live.

On Healthy Urban Developments

This summer I had the pleasure to join TRUUD (Tackling Root causes upstream of Unhealthy Urban Development) for their Westminster event on on how to create healthier urban places through systems thinking. They gathered 80 critical decision makers to add to their recommendations and produced an extensive report available here.

I was very pleased to be invited to live illustrate this event. Sketchnotes created during the event were also published throughout the report for a more accessible reading.

Following this event I also collaborated with the TRUUD team to live illustrate one of their workshops in collaboration with the Knowle West Media Centre. Residents were invited to talk about current problems and potential solutions for better urban environments and public health.

Lifelines: Rethinking ageing across generations

“Ageing is something you do from the moment you’re born. This is a journey we’re all on. It’s a privilege to get older. It’s a privilege to say I’ve had another birthday, I am here.”

— HANNAH KAYI MASON, CEO, IN COMMON

The Lifelines: Rethinking ageing across generations exhibition has now launched at Science Gallery London. I was very honoured to illustrate this project disrupting the dominant narrative of ageing as decline and looking at it as a lifelong process. This exhibition is an opportunity to reimagine what it means to age well, creatively, collectively to enrich our definition of ageing successfully.

Aside from live illustration canvasses created during various participatory workshops, I was commissioned to produce a timeline on the concept of successful ageing and how it has changed over time, as well as an interactive poster prompting the audience to share what ageing well looks like for them. I also created cartoons that were animated and incorporated in an exhibited movie directed and produced by Reuben Armstrong. Reuben is a fellow Pervasive Media Studio resident and we have collaborated on a number of projects throughout the last couple of years, including the Green Belt 2.0 R+D piece.

Lifelines: Rethinking ageing across generations is now on until Saturday 2nd August 

Address: Science Gallery London, Great Maze Pond, London SE1

Opening times: 11 am - 6 pm

A collaboration with The Sciences of Ageing and the Culture of Youth (SAACY)

Photo copyright George Torode

The views of Women who use Drugs

CW: mention of addiction, mental health issues, abuse and coercion

Women who use drugs was a Bristol Health Partners funded project led by the Drugs & Alcohol Health Integration team. This research used participatory methods to capture the views of women with lived experience in order to understand their challenges in accessing Bristol’s local services. Their testimonies are crucial in designing a health and social care system that truly meets their needs.

I was very grateful to turn their views and vision into illustrations for this very important project. 

Co-developed theatre: an illustrated how-to guide

I recently wrote about working on  Patient & public involvement (PPI) projects as an illustrator and the ability of illustrations to participate in the dissemination of research. A new how-to guide launched just last week, led by researcher Cat Papastavrou Brooks, is a great example of this kind of collaboration, as it shows how research can go beyond the actual research/public partnership and what hides behind the often too-loaded academic jargon - think “lived experience”, “co-design”, “inclusion” - that tends to feed the power imbalance between academics and public contributors to the profit of the former. 

Click on the image to download the guide

I was invited to live illustrate a workshop to co-develop the how-to guide based on the findings from the evaluation. I then was commissioned to illustrate the guide that was launched on the 15th May.

Read about this beautiful project here and download the guide here.

In her article Cat beautifully talks about this new production as a result of a collaborative group of researchers, theatre makers and public contributors. It aims to explore theatre as a format for disseminating research on sensitive subjects and was developed as part of the Hard Evidence play evaluation. This play was developed with survivors and the acta Community theatre to raise awareness of domestic abuse and highlight the importance of PPI in research on sensitive subjects.

Extract from the live illustrated workshop

Patient & Public Involvement in Research: a Webcomic

The National Institute for Health & Care Research (NIHR) defines Patient & public involvement (PPI) as research being carried out with & by members of the public rather than to, about or for them. In my practice as a (live & non-live) illustrator, I have the opportunity to take part in PPI projects and turn them into “digestible” visual summaries for a more accessible dissemination. Capturing the words of people with lived experience through sketchnotes can enhance (often marginalised) voices that need to be heard as they provide precious qualitative data to the research team. The PPI link professionals, disproportionately represented by women and people from the global majority, are thus the bridge between the team leading the project and the community tasked to ensure that the research doesn’t become a one-way extractive exercise and widen the gap between the research organisation and the participants.

A recent study by Dr Stan Papoulias, PPI Research Team Lead at ARC South London, highlight the challenging conditions of the NIHR PPI workforce. They found that staff potential may be affected by a lack of recognition and poor understanding of their skillset. A receipt for disaster often leading to staff burnout and unrealistic demands to public participants, which in turn affects their trust in the research sector.

Dr Stan Papoulias commissioned me to turn their findings into a webcomic series published by NIHR, with the hope to facilitate conversations between researchers, public contributors, clinicians and PPI staff to enable a more empathic and sustainable relationship with the workforce. Find out more about this study here and read the webcomic series below and here.

Our vital Visual Arts ecosystem

CVAN (Contemporary Visual Arts Network) is an organisation working in partnership with regions to campaign ad advocate for the visual arts sector at a national level. Alongside other creative industry partners they have commissioned the Framing The Future: The Political Case for Strengthening the Visual Arts Ecosystem campaign. This efforts states that the Visual Arts Ecosystem generates over £4.1 billions in exports annually, establishing the UK’s visual arts sector as a global leader and a vital part part of our national identity, creative economy and public life. Despite this value, the sector faces growing pressure, such as rising costs and declining education access to name but few. This new and essential report makes the case for investment in the upcoming Comprehensive Spending review in June, offering a renewed vision for investing in the visual arts ecosystem.

I was very pleased to be commissioned by CVAN to illustrate the report and visually conveying the pervasive aspect of our precious but fragile Visual Arts Ecosystem, to be protected at all costs.

You can find out more about the campaign here and download the report here.

GPs at the Deep End

One year ago I started working with the fabulous team of GPs and researchers at the heart of the initiative GPs at the Deep End for South West England. The first 2025 gathering took place in March and I had the pleasure to be invited to live illustrate the event.

At the core of GPs at the Depp End lies the belief that disadvantaged areas should received the best care for their too often excluded patients. Burn-out and clinician retention are important issues and the network create a supportive community and provide research opportunity to improve care in these areas.

My collaboration with GPs at the Deep End is one I truly enjoy as an equitable and accessible healthcare is one of our society main challenge to work towards social justice.

Here is the timelapse of the live illustration process, a good illustration of how unpredictable live capturing can be… In this case, both the canvas size ratio and colour palette changed during the session!!

On researching antimicrobial resistance

As an illustrator I have the pleasure to collaborate with researchers on creating digestible visual summaries of their projects. Drawings are a good way to make research more accessible to the wider public and expand their reach.

Recently I worked with a team at NIHR HPRU in Behavioural Science & Evaluation at the University of Bristol on their contribution to the next World Antimicrobial Resistance Awareness Week. This annual global campaign aims to raise the awareness of antimicrobial resistance and understanding how drug resistant infections develop and spread.

Intense fascination Beyond the Spectrum

I was honoured to be invited to live illustrate Beyond the Spectrum’s first digital festival of autistic writing on Saturday 29th March: Intense Fascination.

Beyond the Spectrum is a national creative writing programme for autistic & neurodivergent writers, hosted by Writing East Midlands. They are currently delivering 14 writing groups led by autistic writers.

The festival’s name ‘Intense Fascination’ recognises that what is usually referred to as ‘special interests’ or ‘hyperfixations’, that are part of the neurodivergent lived experience, is also part of the creative process. The event was, first and foremost, a celebration of autistic creativity, gathering academics, writers , publishers, comedians and triggering fascinating conversations that were a joy to capture with illustrations.

More about Beyond the Spectrum here.

Supporting young people to take the lead

I have had the pleasure to collaborate with community research and social innovation organisation Young Foundation for a couple of years. Last month they facilitated the Peer Action Collective (PAC) Away Day in Manchester, an opportunity for the project’s delivery partners in England and Wales to come together and share their experiences of supporting young leaders. They find themselves in the unique role of supporting young people as youth workers, but also as career mentors. Through the PAC network, young people with lived experience of violence are working to make their community safer, fairer places to live.

On that day the PAC delivery partners took the time to reflect creatively on their practice and impact on the lives of the young people they work with. I am so grateful to have been invited to listen and live illustrate their engagement, care and passion, as well as to be given the opportunity to enhance their commitment to ensure that young voices respond to issues that directly affect them.

Find out more about this beautiful project here.